‘On The Roof’ featured on BBC 6 Music Radcliffe and Maconie, Recommends Day

‘On The Roof’ was selected as one of Stuart Maconie’s favourite tracks of the year so far! Listen here (1 hr 4 – “Mo Kenney”).

The Guardian: Mo Kenney’s new album, ‘The Details’, reveals personal journey

Halifax singer and songwriter Mo Kenney lays her life bare for all to see on The Details, her third record. Kenney produced the record with her long-time friend Joel Plaskett.

By Doug Gallant, The Guardian

Some artists are reluctant to peel back the layers and let you see what’s really going on inside their heads.
Mo Kenney is not one of those artists.
“The Details”, Kenney’s third album, comes as close as any recording I’ve ever heard to putting everything out there for you to see, to experience and to reflect on.
The 14 songs on this deeply personal set detail a series of events in Kenney’s life when she was going through what must have been one hell of a rough patch.[READ MORE]

Plunger Music: Canadian chiaroscuro bewitches the Green Note …

By Plunger Music

Nova Scotia’s Mo Kenney brought an intriguing mix of light and shade in her set that held the Camden crowd rapt in total silence. The solo setting meant the songs, more usually delivered with a band on record, were as stark, spare and intense as the spotlit artist herself, but just as entrancing.

With only her guitar and voice to work with Mo still conjured a broad palette of colours and emotions, often blurred and blended within the same song. Opener I Faked It saw delicate acoustic picking and a breathy drawl deliver a sardonic bitter break up lyric, and that disconnect was apparent elsewhere, in Field Song’s hazy, smoky vox and mesmeric picking, and in the Look What They’ve Done-style rag of The Happy Song with its humming and whistling belying the distinctly unhappy subject.

Mo’s mesmeric musical box picking added an eerie childhood vibe to many of the songs: the almost Trumpton-like refrain of Eden; the bright hypnotic Take Me Outside, where dark desperation seemed to lurk beneath the soft upbeat vocal; while the brittle crystalline accompaniment of Carnivore hid more dark inspiration in the loss of an old schoolmate. There were interesting unexpected harmonies and progressions in a dark Vega-ish Mountains To The Mess and the unsettling folky Dancing, another number where a hidden undercurrent slowly revealed itself in Mo’s intensifying emotion-laden breaking vox, climaxing in a very effective left-hanging ending.

Bringing more light were the bustling Greenwich Village folk of The Great Escape and the girlish playground melody of Sucker, in the impassioned In My Lungs and its segue partner the almost-Everlys punchily-strummed Déjà Vû and the intimate, impromptu-feel of the lilting In My Dreams. showing the more indie flavours of much her albums were ‘If You’re Not Dead’, an urgent Martha & The Muffinsy rocker with hints of Message In A Bottle, a bouncy Unglued with an anthemic coda, and Mo’s self-confessed poppy cover of fellow Nova Scotians Mardeen’s Telephones. [READ MORE]

[Mo’s latest album The Details is available to buy here.

The Details

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1. Cat’s Not A Cake
2. On The Roof
3. Details
4. June 3rd
5. Maybe I Am
6. Counting
7. Out The Window
8. If You’re Not Dead
9. Unglued
10. I Can’t Wait
11. Video Game Music
12. Lights Out
13. Punchy
14. Feelin’ Good

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With her third album, The Details, Mo Kenney traces her own strange, devastating, and ultimately hopeful trip through the trials and tribulations of booze-fuelled breakdowns, clouds of depression, and disintegrating relationships. On each of its 14 tracks, she unflinchingly confronts her annihilation and eventual redemption, leaving nothing out. The concept album is her most personal and cohesive work to date—combining elements of bruising rock ’n’ roll, vivid psychedelia, and haunting, left-of-the-dial pop, Kenney navigates the darkest waters in her life with self-deprecation, genuine soul-baring, and typical black humour. It opens with a calm before the storm as the eerie sadness of “Cat’s Not a Cake”—about splitting a beloved pet in half as a relationship falls apart—provides a deceptively gentle beginning to a ride that swiftly steers into self-destruction.
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Following up with the off-the-rails overdrive of “On The Roof,” The Details explodes out of the gate, finding Kenney unable to escape the dangerous spiral she finds herself in. Before and during writing the album, Kenney was en route to rock bottom: depressed with dark blues and drinking like a fish, unable to hold herself or her relationships together, alienating the people she loves, and living hell-bent on oblivion. She comes to terms with her own toxic behaviour while channeling the late Elliott Smith through spectral atmospheres on “June 3rd.” With “Maybe I Am”—a reverb-soaked tune that turns to punchy guitar riffs—she realizes in the midst of trying to hook up with someone that she can’t interact with humans properly. The hazy, laid back calm of “Counting” finds her worried she’s fallen so far into despair that she’s losing her mind. And the vicious, rollicking “If You’re Not Dead” shows her playing warped mind games over feral guitar solos and biting hooks.

Somewhere along the way, Kenney finds herself dazed and broken in a place that not many people find their way back from. “Unglued,” with its breezy sway, is likely the most summery song put to tape about being fed up with your own messy self. “I Can’t Wait” recalls the gauzy dreamscapes of Yo La Tengo with a hushed and grateful understanding that as bad as things are, it’s not the end of the world. But it’s not necessarily smooth sailing from there, as Kenney struggles to stay optimistic with “Lights Out,” and sings about getting clocked in the face at a bar by some meathead during “Punchy.” Still, she can’t help but find the hilarity in getting slugged, slyly laughing through her bloody teeth the whole time.

Finally, she arrives in less troubled seas, closing softly on the sparse, clear-minded “Feelin’ Good.” The storms weathered to get there may be the kind that leave lasting scars (or at least a few post-bar stitches), but with clear skies on the horizon, Kenney wears those scars as a reminder of what she’s been through, and the kind of seasons in hell she’s capable of enduring. Her latest is a record of all those storms and the routes and detours and trials of pushing through them while keeping her sense of humour gracefully intact. By turns rowdy, reflective, brave, funny, and deeply honest, it signals an already accomplished songwriter coming fully and completely into her own as an artist. Produced by Mo Kenney and Joel Plaskett, The Details vividly documents Kenney’s fight to survive her own worst enemy—herself.


November 15th, 2018
Labrador West Arts & Culture Centre
Labrador City, NL
SPECIAL GUEST of Fortunate Ones Hold Fast Release Tour
8:00 PM
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November 17th, 2018
Gordon Pinsent Arts and Culture Centre
Grand Falls - Windsor, NL
SPECIAL GUEST of Fortunate Ones Hold Fast Release Tour
8:00 PM
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November 18th, 2018
Joseph R Smallwood Arts & Culture Centre
Gander, NL
SPECIAL GUEST of Fortunate Ones Hold Fast Release Tour
8:00 PM
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November 19th, 2018
Stephenville Arts & Culture Centre
Stephenville, NL
SPECIAL GUEST of Fortunate Ones Hold Fast Release Tour
8:00 PM
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November 20th, 2018
Corner Brook Arts & Culture Centre
Corner Brook, NL
SPECIAL GUEST of Fortunate Ones Hold Fast Release Tour
8:00 PM
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November 24th, 2018
St. John's Arts & Culture Centre
St. John's, NL
SPECIAL GUEST of Fortunate Ones Hold Fast Release Tour
8:00 PM
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December 7th, 2018
Marigold Cultural Centre
Truro, NS
7:30 PM
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