The Autumn Roses talks “Unglued”

By The Autumn Roses

Its chiming, early-60s-inspired Rock and Roll breeze cools as its message – honest and direct – churns. “Unglued” is the complex, tuneful new single from Nova Scotia’s Mo Kenney, excellent and taken from The Details, her forthcoming new LP. Out on September 29th, you can find pre-ordering links to digital versions here, and you can buy the vinyl version here.



By Danielle Subject, Indie88

Mo Kenney is back with her first new album since 2014’s In My Dreams. The artist, hailing from Nova Scotia, is getting ready to release her upcoming album The Details on September 29. The album features the single “Unglued,” in which Mo Kenney has just released a new music video for.

The video is fittingly simple, contrasting well with the song’s dark lyrics. The album itself is a concept album that is said to explore Mo Kenney’s journey with depression and carrying herself through particularly low points in her life. A black and white video that features the band playing over various visual effects keeps from distracting viewers from the most important thing, that being Mo Kenney’s painstakingly honest songwriting.

“It was really great getting to work with Jeff Miller. I’ve been a big fan of everything he’s done video-wise and I knew he’d be a good fit for me,” said Mo Kenney on the video. “We sat down over coffee a few months prior to filming and chatted about a concept. [READ MORE]

FYI Music News – Mo Kenney: “Maybe I Am”

By Kerry Doole, FYI Music News

Mo Kenney – “Maybe I Am” (Pheromone): The Nova Scotian singer/songwriter will release her new album, The Details, on Sept. 29. The previous advance track “If You’re Not Dead” was a surging rocker, and this new tune is equally striking if a tad more restrained.

Kenney is in excellent form vocally, with her delivery reminiscent of Neko Case here, while the use of reverb infuses the track with a retro vibe.

Describing “Maybe I Am” in a label press release, Kenney states, “I wrote this song post-breakup when I was going out a bunch and trying to meet new people. I was drinking a lot, trying to avoid my feelings. I was starting to realize through all this that I had a lot of problems I hadn’t been dealing with appropriately. It was bittersweet. It was a tough time that ended up giving me a lot of clarity. I was reflecting on all of this when I sat down to write this tune.” [READ MORE]

The Details

1. Cat’s Not A Cake
2. On The Roof
3. Details
4. June 3rd
5. Maybe I Am
6. Counting
7. Out The Window
8. If You’re Not Dead
9. Unglued
10. I Can’t Wait
11. Video Game Music
12. Lights Out
13. Punchy
14. Feelin’ Good

View all albums


With her third album, The Details, Mo Kenney traces her own strange, devastating, and ultimately hopeful trip through the trials and tribulations of booze-fuelled breakdowns, clouds of depression, and disintegrating relationships. On each of its 14 tracks, she unflinchingly confronts her annihilation and eventual redemption, leaving nothing out. The concept album is her most personal and cohesive work to date—combining elements of bruising rock ’n’ roll, vivid psychedelia, and haunting, left-of-the-dial pop, Kenney navigates the darkest waters in her life with self-deprecation, genuine soul-baring, and typical black humour. It opens with a calm before the storm as the eerie sadness of “Cat’s Not a Cake”—about splitting a beloved pet in half as a relationship falls apart—provides a deceptively gentle beginning to a ride that swiftly steers into self-destruction.

Following up with the off-the-rails overdrive of “On The Roof,” The Details explodes out of the gate, finding Kenney unable to escape the dangerous spiral she finds herself in. Before and during writing the album, Kenney was en route to rock bottom: depressed with dark blues and drinking like a fish, unable to hold herself or her relationships together, alienating the people she loves, and living hell-bent on oblivion. She comes to terms with her own toxic behaviour while channeling the late Elliott Smith through spectral atmospheres on “June 3rd.” With “Maybe I Am”—a reverb-soaked tune that turns to punchy guitar riffs—she realizes in the midst of trying to hook up with someone that she can’t interact with humans properly. The hazy, laid back calm of “Counting” finds her worried she’s fallen so far into despair that she’s losing her mind. And the vicious, rollicking “If You’re Not Dead” shows her playing warped mind games over feral guitar solos and biting hooks.

Somewhere along the way, Kenney finds herself dazed and broken in a place that not many people find their way back from. “Unglued,” with its breezy sway, is likely the most summery song put to tape about being fed up with your own messy self. “I Can’t Wait” recalls the gauzy dreamscapes of Yo La Tengo with a hushed and grateful understanding that as bad as things are, it’s not the end of the world. But it’s not necessarily smooth sailing from there, as Kenney struggles to stay optimistic with “Lights Out,” and sings about getting clocked in the face at a bar by some meathead during “Punchy.” Still, she can’t help but find the hilarity in getting slugged, slyly laughing through her bloody teeth the whole time.

Finally, she arrives in less troubled seas, closing softly on the sparse, clear-minded “Feelin’ Good.” The storms weathered to get there may be the kind that leave lasting scars (or at least a few post-bar stitches), but with clear skies on the horizon, Kenney wears those scars as a reminder of what she’s been through, and the kind of seasons in hell she’s capable of enduring. Her latest is a record of all those storms and the routes and detours and trials of pushing through them while keeping her sense of humour gracefully intact. By turns rowdy, reflective, brave, funny, and deeply honest, it signals an already accomplished songwriter coming fully and completely into her own as an artist. Produced by Mo Kenney and Joel Plaskett, The Details vividly documents Kenney’s fight to survive her own worst enemy—herself.

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